Stephen J. Burn

An Interview with Richard Powers
Contemporary Lit. 49(2): 163-179; DOI:10.3368/cl.49.2.163 [PDF]  

LUKE CARSON

"Render unto Caesura": Late Ashbery, Hölderlin, and the Tragic
Contemporary Lit. 49(2): 180-208; DOI:10.3368/cl.49.2.180 [PDF] [References]  

ALEX LINK

Global War, Global Capital, and the Work of Art in William Gibson’s Pattern Recognition
Contemporary Lit. 49(2): 209-231; DOI:10.3368/cl.49.2.209 [PDF] [References]  

OMAAR HENA

Playing Indian / Disintegrating Irishness: Globalization and Cross-Cultural Identity in Paul Muldoon’s "Madoc: A Mystery"
Contemporary Lit. 49(2): 232-262; DOI:10.3368/cl.49.2.232 [PDF] [References]  

LINDA KRUMHOLZ

Blackness and Art in Toni Morrison’s Tar Baby
Contemporary Lit. 49(2): 263-292; DOI:10.3368/cl.49.2.263 [PDF] [References]  

Reviews

JOHN D. NILES

Old English Verse and Twentieth-Century Poets
Contemporary Lit. 49(2): 293-299; DOI:10.3368/cl.49.2.293 [PDF]  

VICTORIA AARONS

The Task of Memory: American Jewish Writers and the Complexities of Transmission
Contemporary Lit. 49(2): 300-306; DOI:10.3368/cl.49.2.300 [PDF]  

ELIZABETH KLAVER

The Illness Memoir
Contemporary Lit. 49(2): 307-310; DOI:10.3368/cl.49.2.307 [PDF]  

JOSEPH TABBI

Locating the Literary in New Media
Contemporary Lit. 49(2): 311-331; DOI:10.3368/cl.49.2.311 [PDF]  

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