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Samuel Beckett’s Spectres du Noir: The Being of Painting and the Flatness of Film
Alan Ackerman
Contemporary Literature, September 2003, 44 (3) 399-441; DOI: https://doi.org/10.2307/1209027
Alan Ackerman
University of Toronto
In this issue
Contemporary Literature
Vol. 44, Issue 3
21 Sep 2003
Samuel Beckett’s Spectres du Noir: The Being of Painting and the Flatness of Film
Alan Ackerman
Contemporary Literature Sep 2003, 44 (3) 399-441; DOI: 10.2307/1209027
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