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Split Infinities: The Comedy of Performative Identity in Maxine Hong Kingston’s Tripmaster Monkey
Jonna Mackin
Contemporary Literature, September 2005, 46 (3) 511-534; DOI: https://doi.org/10.1353/cli.2005.0036
Jonna Mackin
Dartmouth College
In this issue
Contemporary Literature
Vol. 46, Issue 3
21 Sep 2005
Split Infinities: The Comedy of Performative Identity in Maxine Hong Kingston’s Tripmaster Monkey
Jonna Mackin
Contemporary Literature Sep 2005, 46 (3) 511-534; DOI: 10.1353/cli.2005.0036
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