Research ArticleArticles
Blackness and Art in Toni Morrison’s Tar Baby
LINDA KRUMHOLZ
Contemporary Literature, June 2008, 49 (2) 263-292; DOI: https://doi.org/10.1353/cli.0.0018
LINDA KRUMHOLZ
Denison University
WORKS CITED
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- DiBattista, Maria. “Contentions in the House of Chloe: Morrison’s Tar Baby.” Conner 92–112.
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- Lee, Spike, dir. Malcolm X. Screenplay by Arnold Perl and Spike Lee. 40 Acres and a Mule Filmworks, 1992.
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- McDowell, Deborah E. “ ‘The Self and the Other’: Reading Toni Morrison’s Sula and the Black Female Text.” McKay 77–90.
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- Traylor, Eleanor W. “The Fabulous World of Toni Morrison: Tar Baby.” McKay 135–50.
- Walther Malin LaVon
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- Werner, Craig. “The Briar Patch as Modernist Myth: Morrison, Barthes, and Tar Baby As-Is.” McKay 150–67.
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- Wood, Michael. “Sensations of Loss.” Conner 113–24.
In this issue
Blackness and Art in Toni Morrison’s Tar Baby
LINDA KRUMHOLZ
Contemporary Literature Jun 2008, 49 (2) 263-292; DOI: 10.1353/cli.0.0018
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