Entries on a Post-Language Poetics in Harryette Mullen’s Dictionary

WORKS CITED

1. The American Heritage Dictionary of the English Language. Boston: Houghton, 1981.
2. 1. Andrews Bruce,
   2. Bernstein Charles

   , eds. The L=A=N=G=U=A=G=E Book. Carbondale: Southern Illinois UP, 1984.
3. 1. Attridge Derek

   . The Singularity of Literature. London: Routledge, 2004.
4. 1. Berger Anne-Emmanuelle

   . “The Latest Word from Echo.” New Literary History 27 (1996): 621–40. 5 Aug. 2006 <http://muse.jhu.edu>.

   OpenUrl
5. 1. Bernstein Charles

   , ed. Close Listening: Poetry and the Performed Word. New York: Oxford UP, 1998.
6. 1. Boden Margaret A

   . The Creative Mind: Myths and Mechanisms. 2nd ed. London: Routledge, 2004.
7. 1. Conte Joseph M

   . Unending Design: The Forms of Postmodern Poetry. Ithaca, NY: Cornell UP, 1991.
8. 1. Crane Mary Thomas

   . Shakespeare’s Brain: Reading with Cognitive Theory. Princeton, NJ: Princeton UP, 2001.
9. 1. Crown Kathleen

   . “‘Choice Voice Noise’: Soundings in Innovative African-American Poetry.” Assembling Alternatives: Reading Postmodern Poetries Transnationally. Middletown, CT: Wesleyan UP, 2003. 219–45.
10. 1. Frost Elisabeth A

    . “Signifyin(g) on Stein: The Revisionist Poetics of Harryette Mullen and Leslie Scalapino.” Postmodern Culture: An Electronic Journal of Interdisciplinary Criticism 5.3 (1995): 40 pars. 8 Jul. 2005 <http://muse.jhu.edu>.
11. 1. Huehls Mitchum

    . “Spun Puns (and Anagrams): Exchange Economies, Subjectivity, and History in Harryette Mullen’s Muse & Drudge.” Contemporary Literature 44 (2003): 19–46.

    OpenUrlFREE Full Text
12. 1. King Rosamond S

    . “ ‘Word Plays Well with Others’ Harryette Mullen’s Sleeping with the Dictionary.” Callaloo 26 (2003): 536–38. 7 Aug. 2005 <http://muse.jhu.edu>.

    OpenUrl
13. 1. Massumi Brian

    . Parables for the Virtual: Movement, Affect, Sensation. Durham, NC: Duke UP, 2002.
14. 1. Mix Deborah

    . “Tender Revisions: Harryette Mullen’s Trimmings and S*PeRM**K*T.” American Literature 77 (2005): 65–92.

    OpenUrl
15. 1. Motte Warren F

    ., ed. and trans. Oulipo: A Primer of Potential Literature. 1986. Normal, IL: Dalkey Archive, 1998.
16. 1. Mullen Harryette

    . “An Interview with Harryette Mullen.” Elisabeth A. Frost. Contemporary Literature 41 (2000): 397–421. Jul. 2005 <http://www.jstor.org>.

    OpenUrlCrossRefWeb of Science
17. 1. Mullen Harryette

    . “Interview with Harryette Mullen.” Cynthia Hogue. Postmodern Culture: An Electronic Journal of Interdisciplinary Criticism 9.2 (1999): 36 pars. 8 Jul. 2005 <http://muse.jhu.edu>.
18. 1. Mullen Harryette

    . “Interview.” Conducted by Daniel Kane. What Is Poetry?: Conversations with the American Avant-Garde. New York: Teachers & Writers Collaborative, 2003. 126–37.
19. 1. Mullen Harryette

    . Muse & Drudge. Philadelphia: Singing Horse, 1995.
20. 1. Mullen Harryette

    . “Poetry and Identity.” West Coast Line 19 (1996): 85–89.

    OpenUrl
21. 1. Mullen Harryette

    . “Poets Chat: Daniel Kane Interviews the Poet Harryette Mullen.” 2005. Write Net. 2 Dec. 2005. <http://www.writenet.org/poetschat/poetschat_h_mullen.html>.
22. 1. Mullen Harryette

    . Sleeping with the Dictionary. New California Poetry. Berkeley: U of California P, 2002.
23. 1. Mullen Harryette

    . S*PeRM**K*T. Philadelphia: Singing Horse, 1992.
24. 1. Mullen Harryette

    . Tree Tall Woman: Poems. Galveston, TX: Energy Earth Communications, 1981.
25. 1. Mullen Harryette

    . Trimmings. New York: Tender Buttons, 1991.
26. 1. Ovid

    . The Metamorphoses. Trans. Mandelbaum Allen. San Diego, CA: Harcourt, 1993.
27. 1. Perloff Marjorie

    . “Language Poetry and the Lyric Subject: Ron Silliman’s Albany, Susan Howe’s Buffalo.” Critical Inquiry 25 (1999): 405–34. 9 Feb. 2006 <http://www.jstor.org>.

    OpenUrlCrossRefWeb of Science
28. 1. Perloff Marjorie

    . Radical Artifice: Writing Poetry in the Age of Media. Chicago: U of Chicago P, 1991.
29. 1. Rasula Jed

    . “Poetry’s Voice-Over.” Sound States: Innovative Poetics and Acoustical Technologies. Ed. Morris Adelaide. Chapel Hill: U of North Carolina P, 1998. 274–316.
30. 1. Richardson Alan

    . British Romanticism and the Science of the Mind. Cambridge: Cambridge UP, 2001.
31. 1. Riley Denise

    . “‘A Voice without a Mouth’: Inner Speech.” Qui Parle 14.2 (2004): 57–104.

    OpenUrl
32. 1. Silliman Ron

    . The New Sentence. New York: Roof Books, 1987.
33. 1. Spahr Juliana

    . Everybody’s Autonomy: Connective Reading and Collective Identity. Tuscaloosa: U of Alabama P, 2001.
34. 1. Stein Gertrude

    . Tender Buttons. Selected Writings of Gertrude Stein. Ed. Van Vechten Carl. 1972. New York: Vintage, 1990.
35. 1. Varela Francisco J.,
    2. Thompson Evan,
    3. Rosch Eleanor

    . The Embodied Mind: Cognitive Science and Human Experience. Cambridge, MA: MIT P, 1991.
36. “Yari Yari Pamberi—International Conference on Black Women Writers from October 12–16.” NYU Press Release. 23 Sept. 2004. 8 Jul. 2005 <http://www.nyu.edu/publicaffairs/newsreleases/b_fas_yariyari_09232004.shtml>.
37. 1. Zunshine Lisa

    . Why We Read Fiction: Theory of Mind and the Novel. Columbus: Ohio State UP, 2006.