Scratching the Threshold: Textual Sound and Political Form in Toni Cade Bambara’s The Salt Eaters

WORKS CITED

1. 1. Alexander Elizabeth

   . The Black Interior. St. Paul, MN: Graywolf, 2004.
2. 1. Allen Robert L.

   Black Awakening in Capitalist America. 1969. Trenton, NJ: Africa World, 1990.
3. 1. Alwes Derek

   . “The Burden of Liberty: Choice in Toni Morrison’s Jazz and Toni Cade Bambara’s The Salt Eaters.” African American Review 30.3 (1996): 353–65.

   OpenUrl
4. 1. Attali Jacques

   . Noise: The Political Economy of Music. Theory and History of Literature 16. Trans. Massumi Brian. Minneapolis: U of Minnesota P, 1985. Trans. of Bruits: Essai sur l’economie politique de la musique. Paris: Presses Universitaires de France, 1977.
5. 1. Baldwin James

   . “The Fire Next Time.” 1963. The Price of the Ticket: Collected Nonfiction, 1948–1985. New York: St. Martin’s, 1985. 333–79.
6. 1. Bambara Toni Cade

   . Deep Sightings and Rescue Missions: Fiction, Essays, and Conversations. New York: Random, 1996.
7. 1. Bambara Toni Cade

   . “How She Came by Her Name: An Interview with Louis Massiah.” Deep Sightings 201–45.
8. 1. Bambara Toni Cade

   . “On the Issue of Roles.” 1969. The Black Woman. Ed. Cade Toni (Bambara). New York: Signet, 1970. 101–10.
9. 1. Bambara Toni Cade

   . “Reading the Signs, Empowering the Eye.” Deep Sightings 89–138.
10. 1. Bambara Toni Cade

    . The Salt Eaters. New York: Random, 1980.
11. 1. Bambara Toni Cade

    . “Searching for the Mother Tongue: An Interview with Toni Cade Bambara.” Conducted by Kalam Ya Salaam. Holmes and Wall 58–69.
12. 1. Baraka Amiri

    . “The Changing Same (R&B and New Black Music).” 1966. Black Music. Cambridge, MA: Da Capo, 1998. 180–211.
13. 1. Brown Marion

    . “Improvisation and the Aural Tradition in Afro-American Music.” Black World 23.1 (1973): 14–19.

    OpenUrl
14. 1. Bull Michael,
    2. Back Les

    eds. The Auditory Culture Reader. London: Berg, 2004.
15. 1. Collins Janelle

    . “Generating Power: Fission, Fusion, and Postmodern Politics in Bambara’s The Salt Eaters.” MELUS 21.2 (1996): 35–47.

    OpenUrlFREE Full Text
16. 1. Edwards Brent Hayes

    . The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism. Cambridge, MA: Harvard UP, 2003.
17. 1. Ellison Ralph

    . Invisible Man. 1952. New York: Vintage, 1995.
18. 1. Garrow David J.

    Bearing the Cross: Martin Luther King, Jr., and the Southern Christian Leadership Conference. New York: Morrow, 1986.
19. 1. Gilroy Paul

    . The Black Atlantic: Modernity and Double Consciousness. Cambridge, MA: Harvard UP, 1993.
20. 1. Hall Jacquelyn Dowd

    . “The Long Civil Rights Movement and the Political Uses of the Past.” Journal of American History 91 (2005): 1233–63.

    OpenUrlFREE Full Text
21. 1. Hall Stuart

    . “On Postmodernism and Articulation: An Interview with Stuart Hall.” Stuart Hall: Critical Dialogues in Cultural Studies. Ed. Morley David, Chen Kuan-Hsing. London: Routledge, 1996. 131–50.
22. 1. Hamer Fannie Lou

    . “Testimony before the Credentials Committee, Democratic National Convention: Atlantic City, New Jersey—August 22, 1964.” Say It Plain: A Century of Great African American Speeches. Ed. Ellis Kate, Smith Stephen. 2009. American RadioWorks.
23. 1. Harding Vincent

    . The Other American Revolution. Los Angeles: Center for Afro-American Studies (UCLA), 1980.
24. 1. Holmes Linda Janet,
    2. Wall Cheryl A.

    eds. Savoring the Salt: The Legacy of Toni Cade Bambara. Philadelphia: Temple UP, 2008.
25. 1. Hull Gloria

    . “What It Is I Think She’s Doing Anyhow: A Reading of Toni Cade Bambara’s The Salt Eaters.” Home Girls: A Black Feminist Anthology. Ed. Smith Barbara. New York: Kitchen Table/Women of Color P, 1983. 124–42.
26. 1. Kahn Douglas

    . Noise, Water, Meat: A History of Sound in the Arts. Cambridge, MA: MIT P, 1999.
27. 1. Kelley Margot Anne

    . “‘Damballah Is the First Law of Thermodynamics’: Modes of Access to Toni Cade Bambara’s The Salt Eaters.” African American Review 27 (1993): 479–93.

    OpenUrl
28. 1. King Martin Luther Jr.

    . Where Do We Go from Here: Chaos or Community? Boston: Beacon, 1967.
29. 1. Mackey Nathaniel

    . “Sound and Sentiment, Sound and Symbol.” Discrepant Engagement: Dissonance, Cross-Culturality, and Experimental Writing. New York: Cambridge UP, 1993. 231–59.
30. 1. Marable Manning

    . How Capitalism Underdeveloped Black America: Problems in Race, Political Economy, and Society. Boston: South End, 1983.
31. 1. Marable Manning

    . Race, Reform, and Rebellion: The Second Reconstruction in Black America, 1945–1990. Rev. 2nd ed. Jackson: UP of Mississippi, 1991.
32. 1. Marcuse Herbert

    . The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics. Boston: Beacon, 1978.
33. 1. Marcuse Herbert

    . “The Movement in a New Era of Repression: An Assessment.” Berkeley Journal of Sociology 16 (1971): 1–14.

    OpenUrl
34. 1. Mbembe Achille

    . On the Postcolony. Berkeley: U of California P, 2001.
35. 1. Morrison Toni

    . “Unspeakable Things Unspoken: The Afro-American Presence in American Literature.” Michigan Quarterly Review 28.1 (1989): 1–34.

    OpenUrlWeb of Science
36. 1. Moten Fred

    . In the Break: The Aesthetics of the Black Radical Tradition. Minneapolis: U of Minnesota P, 2003.
37. 1. Robinson Cedric

    . Black Marxism: The Making of the Black Radical Tradition. 1983. Chapel Hill: U of North Carolina P, 2000.
38. 1. Scott David

    . Conscripts of Modernity: The Tragedy of Colonial Enlightenment. Durham, NC: Duke UP, 2004.
39. 1. Singh Nikhil Pal

    . Black Is a Country: Race and the Unfinished Struggle for Democracy. Cambridge, MA: Harvard UP, 2004.
40. 1. Taylor Ronald

    , ed. Aesthetics and Politics, by Ernst Bloch et al. London: NLB, 1977.
41. 1. Thompson Robert Farris

    . Flash of the Spirit: African and Afro-American Arts and Philosophy. New York: Random, 1983.
42. 1. Traylor Eleanor W.

    “Music as Theme: The Jazz Mode in the Works of Toni Cade Bambara.” Black Women Writers (1950–1980): A Critical Evaluation. Ed. Evans Mari. Garden City, NY: Anchor-Doubleday, 1984. 58–70.
43. 1. Williams Raymond

    . Marxism and Literature. Oxford: Oxford UP, 1977.
44. 1. Willis Susan

    . “Problematizing the Individual: Toni Cade Bambara’s Stories for the Revolution.” Specifying: Black Women Writing the American Experience. Madison: U of Wisconsin P, 1987. 129–58.
45. 1. Woodard Komozi

    . A Nation Within a Nation: Amiri Baraka (LeRoi Jones) and Black Power Politics. Chapel Hill: U of North Carolina P, 1999.