Research ArticleArticles
“I Have Become the Sea’s Craft”: Authorial Subjectivity in Derek Walcott’s Omeros and David Dabydeen’s “Turner”
STEPHANIE POCOCK BOENINGER
Contemporary Literature, September 2011, 52 (3) 462-492; DOI: https://doi.org/10.1353/cli.2011.0036
STEPHANIE POCOCK BOENINGER
Providence College

WORKS CITED
- Bhabha Homi K.
- Sarah Broom
- Paula Burnett
- David Dabydeen
- David Dabydeen
- David Dabydeen
- David Dabydeen
- David Dabydeen
- Davies Carole Boyce
- DeLoughrey Elizabeth M.
- William Devlin
- Döring Tobias
- Döring Tobias
- Döring Tobias,
- Klein Bernhard
- Ellison Sarah Dawson
- Fido Elaine Savory
- Victor Figueroa
- Paul Gilroy
- Glissant Édouard
- Jana Gohrisch
- Stuart Hall
- Handley George B.
- George Herbert
- Patricia Ismond
- James Joyce
- Klein Herbert S.
- John McCoubrey
- The New Oxford Annotated Bible: New Revised Standard Version with the Apocrypha. 3rd ed. Ed. Coogan Michael D.. Oxford: Oxford UP, 2001.
- Jahan Ramazani
- John Ruskin
- Turner J. M. W.
- Turner J. M. W.
- Derek Walcott
- Derek Walcott
- Derek Walcott
- Derek Walcott
- Derek Walcott
- Derek Walcott
- Derek Walcott
- Abigail Ward
In this issue
Contemporary Literature
Vol. 52, Issue 3
21 Sep 2011
“I Have Become the Sea’s Craft”: Authorial Subjectivity in Derek Walcott’s Omeros and David Dabydeen’s “Turner”
STEPHANIE POCOCK BOENINGER
Contemporary Literature Sep 2011, 52 (3) 462-492; DOI: 10.1353/cli.2011.0036
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