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Table of Contents
March 20, 2014;
Volume 55,
Issue 1
Articles
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Against Exemplarity: W. G. Sebald and the Problem of Connection
TIMOTHY BEWES
Contemporary Literature,
March 2014,
55
(1)
1-31;
DOI: https://doi.org/10.1353/cli.2014.0005
You have access
Restricted access
The New Criticism and the Nashville Sound: William Faulkner’s
The Town
and Rock and Roll
FLORENCE DORE
Contemporary Literature,
March 2014,
55
(1)
32-57;
DOI: https://doi.org/10.1353/cli.2014.0007
You have access
Restricted access
No Homelike Place: The Lesson of History in Kazuo Ishiguro’s
An Artist of the Floating World
TIMOTHY WRIGHT
Contemporary Literature,
March 2014,
55
(1)
58-88;
DOI: https://doi.org/10.1353/cli.2014.0009
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Mourning the Modernist Undead: Robert Duncan’s Company and the Felt Silence of the Lost Generation
SARAH EHLERS
Contemporary Literature,
March 2014,
55
(1)
89-117;
DOI: https://doi.org/10.1353/cli.2014.0000
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Juliana Spahr’s Ecopoetics: Ecologies and Politics of the Refrain
DIANNE CHISHOLM
Contemporary Literature,
March 2014,
55
(1)
118-147;
DOI: https://doi.org/10.1353/cli.2014.0002
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Men without Work: White Working-Class Masculinity in Deindustrialization Fiction
SHERRY LEE LINKON
Contemporary Literature,
March 2014,
55
(1)
148-167;
DOI: https://doi.org/10.1353/cli.2014.0003
Reviews
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The Poetics of Black Aesthetics
KIMBERLY LAMM
Contemporary Literature,
March 2014,
55
(1)
168-181;
DOI: https://doi.org/10.1353/cli.2014.0004
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Global Special Delivery
CHRISTOPHER HOLMES
Contemporary Literature,
March 2014,
55
(1)
182-191;
DOI: https://doi.org/10.1353/cli.2014.0006
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Our Aesthetic Condition
JASON GLADSTONE
Contemporary Literature,
March 2014,
55
(1)
192-201;
DOI: https://doi.org/10.1353/cli.2014.0008
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Estranged Pain: Anne Carson’s
Red Doc>
ROY SCRANTON
Contemporary Literature,
March 2014,
55
(1)
202-214;
DOI: https://doi.org/10.1353/cli.2014.0010
Contributors
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Contributors
Contemporary Literature,
March 2014,
55
(1)
215-216;
DOI: https://doi.org/10.1353/cli.2014.0001
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Contemporary Literature
Vol. 55
,
Issue 1
20 Mar 2014
Table of Contents
Table of Contents (PDF)
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Back Matter (PDF)
Front Matter (PDF)
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