Exquisite Garble: Acousmatic Sound and Binocular Vision in Ronald Johnson’s ARK

WORKS CITED

1. 1. Barthes Roland

   . Mythologies. Translated by Lavers Annette, Hill and Wang, 1972.
2. 1. Battier Marc

   . “What the GRM Brought to Music: From Musique Concréte to Acousmatic Music.” Organised Sound, vol. 12, no. 3, 2007, pp. 189–202.

   OpenUrl
3. 1. Bauersfeld Eric

   . “Radio Arts Project: 1970–1979.” Bay Area Radio Drama, 26 Apr. 2015, www.bardradio.com/arts.html. Accessed 21 June 2018.
4. 1. Bettridge Joel,
   2. Selinger Eric Murphy

   , editors. Ronald Johnson: Life and Works. National Poetry Foundation, 2008.
5. 1. Bevis John

   . Aaaaw to Zzzzzd: The Words of Birds: North America, Britain, and Northern Europe. MIT P, 2010.
6. 1. Bonnefoy Yves

   . Shakespeare and the French Poet. Edited by Naughton John, U of Chicago P, 2004.
7. “Cento, n.” OED Online, June 2018, www.oed.com/view/Entry/29675. Accessed 21 June 2018.
8. 1. Chion Michel

   . Audio Vision: Sound on Screen. Edited and translated by Gorbman Claudia, Columbia UP, 1994.
9. 1. Chion Michel

   . Guide to Sound Objects. Translated by Dack John, North Christine, Monoskop, 2009, www.monoskop.org/images/0/01/Chion_Michel_Guide_To_Sound_Objects_Pierre_Schaeffer_and_Musical_Research.pdf. Accessed 21 June 2018.
10. 1. Cocker Mark.

    Birders: Tales of a Tribe. Vintage, 2002.
11. 1. Dack John

    . “Pierre Schaeffer and the Significance of Radiophonic Art.” Contemporary Music Review, vol. 10, no. 2, 1994, pp. 3–11.

    OpenUrl
12. 1. Dunlap Thomas R.

    In the Field, Among the Feathered Tribe: A History of Birders and their Guides. Oxford UP, 2011.
13. 1. DuPlessis Rachel Blau

    . “Echological Scales: On ARK of Ronald Johnson.” Bettridge and Selinger, pp. 297–321.
14. 1. Finkelstein Norman

    . “The NewARK.” Notre Dame Review, no. 37, Winter/Spring 2014, pp. 189–94.
15. 1. Fredman Stephen

    . Contextual Practice: Assemblage and the Erotic in Postwar Poetry and Art. Stanford UP, 2010.
16. “Garble, v.” OED Online, June 2018, www.oed.com/view/Entry/76695. Accessed 21 June 2018.
17. 1. Gunn Thom

    . “The Postmodernism You Deserve.” The Threepenny Review, no. 57, Spring 1994, pp. 6–8.
18. 1. Hair Ross.

    Ronald Johnson’s Modernist Collage Poetry. Palgrave Macmillan, 2010.
19. 1. Hatlen Burton

    . “Zukofsky, Wittgenstein, and the Poetics of Absence.” Sagetrieb, vol. 1, no. 1, Spring 1982, pp. 63–93.

    OpenUrl
20. 1. Hodgkinson Tim

    . “An Interview with Pierre Schaeffer.” The Book of Music and Nature: An Anthology of Sounds, Words, and Thoughts, edited by Rothenberg David, Ulveaus Marta, Wesleyan UP, 2001, pp. 34–44.
21. 1. Johnson Ronald

    . Afterword. ARK, pp. 311–13.
22. 1. Johnson Ronald

    . ARK. Edited by O’Leary Peter Flood Editions, 2013.
23. 1. Johnson Ronald

    . “Catch as Catch Can.” Typescript and manuscript. MS 66, Box 7, Folder 109. Spencer Research Library, University of Kansas.
24. 1. Johnson Ronald

    . “Hurrah for Euphony: Dedicated to Young Poets.” The Cultural Society, 14 Jan. 2002, www.culturalsociety.org/texts/prose/hurrah-for-euphony-dedicated-to-young-poets/. Accessed 21 June 2018.
25. 1. Johnson Ronald

    . “An Interview with Ronald Johnson (1995).” Conducted by O’Leary Peter. Bettridge and Selinger, pp. 561–85.
26. 1. Johnson Ronald

    . Letter to Guy Davenport. Draft typescript, undated. MS 336, Box 5, Folder 25. Spencer Research Library, University of Kansas.
27. 1. Johnson Ronald

    . Letter to Paul Lake. Draft typescript, undated. MS 336, Box 5, Folder 23. Spencer Research Library, University of Kansas.
28. 1. Johnson Ronald

    . “The Planting of the Rod of Aaron.” Northern Lights Studies in Creativity, no. 2, 1985–86, pp. 1–13.
29. 1. Johnson Ronald

    . “Ronald Johnson—An Interview (1974).” Conducted by Alpert Barry. Bettridge and Selinger, pp. 545–59.
30. 1. Johnson Ronald

    . “Work Sheets for the Recording of Ariel’s Songs to Prospero.” MS 66, Box 10, Folder 4. Spencer Research Library, University of Kansas.
31. 1. Joyce James

    . Finnegans Wake. 1939. Penguin, 1992.
32. 1. Kane Brian

    . “Acousmate: History and De-visualised Sound in the Schaefferian Tradition.” Organised Sound, vol. 17, no. 2, August 2012, pp. 179–88.

    OpenUrl
33. 1. Kane Brian.

    Sound Unseen: Acousmatic Sound in Theory and Practice. Oxford UP, 2014.
34. 1. LaBelle Brandon

    . Background Noise: Perspectives on Sound Art. Continuum, 2006.
35. 1. Lake Paul

    . Letter to Ronald Johnson, February 22, 1981. MS 66, Box 27, Folder 83. Spencer Research Library, University of Kansas.
36. 1. Lake Paul

    . Letter to Ronald Johnson, April 11, 1981. MS 336, Box 2, Folder 40. Spencer Research Library, University of Kansas.
37. 1. Lake Paul

    . “Unfolding the Manifold.” The Threepenny Review, no. 8, Winter 1982, pp. 12–13.
38. 1. Levi-Strauss Claude

    . The Raw and the Cooked. Translated by Weightman John, Weightman Doreen, Harper and Row, 1969.
39. 1. McCaffery Steve

    . “Synchronicity, Ronald Johnson, and the Migratory Phrase.” Vort: Twenty-First Century Previews, vol. 3, no. 3, 1976, pp. 112–15.

    OpenUrl
40. 1. Morison Iain.

    A Journey through the Universe: Gresham Lectures on Astronomy. Cambridge UP, 2015.
41. 1. Mynott Jeremy.

    Birdscapes: Birds in Our Imagination and Experience. Princeton UP, 2009.
42. 1. Olson Charles

    . The Collected Poems of Charles Olson: Excluding the Maximus Poems. Edited by Butterick George F., U of California P, 1997.
43. 1. Osman Jena

    . “Paronomastic Migrations.” Bettridge and Selinger, pp. 227–47.
44. 1. Pater Walter

    . The Renaissance: Studies in Art and Poetry. Dover, 2005.
45. 1. Perloff Marjorie

    . Radical Artifice: Writing Poetry in the Age of Media. U of Chicago P, 1991.
46. 1. Peterson Roger Tory

    . A Field Guide to Western Birds: Field Marks of All Species Found in North America West of the 100th Meridian, with a Section on the Birds of the Hawaiian Islands. 2nd ed. Houghton Mifflin, 1961.
47. 1. Pound Ezra

    . ABC of Reading. 1934. Faber and Faber, 1961.
48. 1. Rasula Jed

    . Syncopations: The Stress of Innovation in Contemporary American Poetry. U of Alabama P, 2004.
49. 1. Schaeffer Pierre

    . “Acousmatics.” Audio Culture: Readings in Modern Music, edited by Cox Christoph, Warner Daniel, Continuum, 2004, pp. 76–81.
50. 1. Schaeffer Pierre

    . In Search of a Concrete Music. Translated by Dack John, North Christina, U of California P, 2012.
51. 1. Schaffner Spencer

    . Binocular Vision: The Politics of Representation in Birdwatching Field Guides. U of Massachusetts P, 2011.
52. 1. Selinger Eric Murphy

    . “ARK as Garden of Revelation.” Bettridge and Selinger, pp. 323–42.
53. 1. Shakespeare William

    . The Tempest. Edited by Vaughan Virginia Mason, Vaughan Alden T., Arden Shakespeare, 1999.
54. 1. Skinner Jonathan

    . “Upper Limit Tu-Whit: Ronald Johnson’s Field Guide Poetries.” Bettridge and Selinger, pp. 397–420.
55. 1. Stratton Dirk

    . Ronald Johnson. Western Writers Series No. 122. Boise State UP, 1996.
56. 1. Swales John M

    . “Field-Guides in Strange Tongues: A Workshop for Henry Widdowson.” Principle and Practice in Applied Linguistics: Studies in Honour of H. G. Widdowson. Edited by Cook Guy, Seidlhofer Barbara, Oxford UP, 1995, pp. 215–28.
57. 1. Thomas Francis-Noël,
    2. Turner Mark

    . Clear and Simple as the Truth: Writing Classic Prose. Princeton UP, 1994.
58. 1. Walter W. Grey

    . . “Activity Patterns in the Human Brain.” Whyte, pp. 179–95.
59. 1. White Gilbert

    . The Natural History of Selborne. 1789. Edited by Fisher James, Cresset Press, 1947.
60. 1. Whyte Lancelot Law

    , editor. Aspects of Form: A Symposium on Form in Nature and Art. 2nd ed. Lund Humphries, 1968.
61. 1. Whyte Lancelot Law

    , editor. Introduction. Whyte, pp. 1–7.