Reading Affect in Harryette Mullen’s S*PeRM**K*T

WORKS CITED

1. 1. Berlant, Lauren

   . Cruel Optimism. Duke UP, 2011.
2. 1. Canfield, Jack

   , et al. Chicken Soup for the Soul: Think Positive: 101 Inspirational Stories about Counting Your Blessings and Having a Positive Attitude. Chicken Soup for the Soul, LLC, 2010.
3. 1. Carruth, Allison

   . Global Appetites: American Power and the Literature of Food. Cambridge UP, 2013.
4. 1. Deck, Alice

   . “‘Now Then―Who Said Biscuits?’ The Black Woman Cook as Fetish in American Advertising, 1905–1953.” Kitchen Culture in America: Popular Representations of Food, Gender, and Race, edited by Sherrie A. Inness, U of Pennsylvania P, 2001, pp. 69–94.
5. 1. Delville, Michel

   . Food, Poetry, and the Aesthetics of Consumption: Eating the Avant-Garde. Routledge, 2008.
6. 1. Deutsch, Tracey

   . Building a Housewife’s Paradise: Gender, Politics, and American Grocery Stores in the Twentieth Century. U of North Carolina P, 2010.
7. 1. Frost, Elizabeth A.

   “Signifyin(g) on Stein: The Revisionist Poetics of Harryette Mullen and Leslie Scalapino.” Postmodern Culture: An Electronic Journal of Interdisciplinary Criticism, vol. 5, no. 3, 1995, 40 pars. Project Muse, www.muse.jhu.edu/article/27523.
8. 1. Gates, Racquel

   . “The Problem of ‘Anti-Racist’ Movie Lists.” New York Times, 17 July 2020, nytimes.com/2020/07/17/opinion/sunday/black-film-movies-racism.html.
9. 1. Ginsberg, Allen

   . Howl and Other Poems: Pocket Poets Number 4. City Lights Books, 1956.
10. 1. Hong, Cathy Park

    . Minor Feelings: An Asian American Reckoning. One World, 2020.
11. 1. Houser, Heather

    . Ecosickness in Contemporary U.S. Fiction: Environment and Affect. Columbia UP, 2014.
12. 1. Huehls, Mitchum

    . “Spun Puns (and Anagrams): Exchange Economies, Subjectivity, and History in Harryette Mullen’s Muse & Drudge.” Contemporary Literature, vol. 44, no. 1, Spring 2003, pp. 19–46. JSTOR, www.jstor.org/stable/1209061.

    OpenUrlFREE Full Text
13. 1. Jones, Meta DuEwa

    . The Muse Is Music: Jazz Poetry from the Harlem Renaissance to Spoken Word. U of Illinois P, 2011.
14. 1. Lempert, Benjamin R.

    “Harryette Mullen and the Contemporary Jazz Voice.” Guys Like Us: Citing Callaloo, vol. 33, no. 4, 2010, pp. 1059–78. JSTOR, www.jstor.org/stable/40962782.

    OpenUrl
15. 1. Luck, Jessica Lewis

    . “Entries on a Post-Language Poetics in Harryette Mullen’s Dictionary.”. Contemporary Literature, vol. 49, no. 3, 2008, pp. 357–82. JSTOR, www.jstor.org/stable/27563802.

    OpenUrlFREE Full Text
16. 1. Mix, Deborah

    . “Tender Revisions: Harryette Mullen’s Trimmings and S*PeRM**K*T.” American Literature. vol. 77, no. 1, 2005, pp. 65–92.

    OpenUrl
17. 1. Mullen, Harryette

    . “African Signs and Spirit Writing.” Mullen, Cracks, pp. 79–101.
18. 1. Mullen, Harryette

    . “Bête Noire.” Callaloo, no. 2, 1978 p. 86. JSTOR, www.jstor.org/stable/2930783.
19. 1. Mullen, Harryette

    . The Cracks Between What We Are and What We Are Supposed to Be: Essays and Interviews. U of Alabama P, 2012.
20. 1. Mullen, Harryette

    . “Imagining the Unimagined Reader: Writing to the Unborn and Including the Excluded.” Mullen, Cracks, pp. 3–8.
21. 1. Mullen, Harryette

    . “An Interview with Harryette Mullen by Cynthia Hogue.” Mullen, Cracks, pp. 233–57.
22. 1. Mullen, Harryette

    . “Optic White: Blackness and the Production of Whiteness.” Mullen, Cracks, pp. 130–54.
23. 1. Mullen, Harryette

    . Recyclopedia: Trimmings, S*PeRM**K*T, and Muse & Drudge. Graywolf, 2006.
24. 1. Mullen, Harryette

    . S*PeRM**K*T. Singing Horse, 1992.
25. 1. Mullen, Harryette

    . Tree Tall Woman: Poems. Energy Earth Communications, 1981.
26. 1. Mullen, Harryette

    . Trimmings. Tender Buttons, 1991.
27. 1. Ngai, Sianne

    . Ugly Feelings. Harvard UP, 2005.
28. 1. Nixon, Rob

    . Slow Violence and the Environmentalism of the Poor. Harvard UP, 2011.
29. 1. Reed, Anthony

    . Freedom Time: The Poetics and Politics of Black Experimental Writing. Johns Hopkins UP, 2014.
30. 1. Robbins, Amy Moorman

    . American Hybrid Poetics: Gender, Mass Culture, and Form. Rutgers UP, 2014.
31. 1. Robbins, Amy Moorman

    . “Harryette Mullen’s Sleeping with the Dictionary and Race in Language/Writing.” Contemporary Literature, vol. 51, no. 2, 2010, pp. 341–70. Project Muse, www.muse.jhu.edu/article/403358.

    OpenUrlFREE Full Text
32. 1. Saroyan, Aram

    . Genesis Angels: The Saga of Lew Welch and the Beat Generation. Morrow, 1979.
33. 1. Shockley, Evie

    . Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry. U of Iowa P, 2011.
34. 1. Spahr, Juliana

    . Everybody’s Autonomy: Connective Reading and Collective Identity. U of Alabama P, 2001.
35. 1. Stein, Gertrude

    . Tender Buttons: Objects, Food, Rooms. Dover, 1997.
36. 1. Thorsson, Courtney

    . “Foodways in Contemporary African American Poetry: Harryette Mullen and Evie Shockley.” Contemporary Literature, vol. 57, no. 2, 2016, pp. 184–215. Project Muse, www.muse.jhu.edu/article/630330.

    OpenUrlFREE Full Text
37. 1. Tremblay-McGaw, Robin

    . “Enclosure and Run: The Fugitive Recyclopedia of Harryette Mullen’s Writing.” MELUS: Multi-Ethnic Literature of the United States, vol. 35, no. 2, 2010, pp. 71–94. Project Muse, doi.org/10.1353/mel.0.0080.

    OpenUrl
38. 1. Warnes, Andrew

    . Hunger Overcome?: Food and Resistance in Twentieth-Century African American Literature. U of Georgia P, 2004.