Research ArticleArticles
Tocaya Aesthetics: Comparing Carlos Bulosan’s America Is in the Heart and Elaine Castillo’s America Is Not the Heart
Toni N. Hays
Contemporary Literature, March 2024, 64 (1) 52-76; DOI: https://doi.org/10.3368/cl.64.1.52
Toni N. Hays
University of California, Irvine

Works Cited
- Alquizola, Marilyn C., and
- Lane Ryo Hirabayashi
- Bulosan, Carlos
- Campomanes, Oscar V., and
- Todd S. Gernes
- Castillo, Elaine
- Fujita-Rony, Dorothy
- Gallagher, Catherine
- Gonzalez, Vernadette Vicuña
- Lee, Christopher
- Mabalon, Dawn Bohulano
- Nadal, Paul
- Ngai, Mae M.
- Rafael, Vicente L.
- San Juan, Epifanio
- Scalice, Joseph Paul
- Seidel, Kevin
- United States, Congress. A Treaty of Peace between the United States and Spain. Government Printing Office, 1899. 55th Congress, 3rd session, Senate Document 62, Part 1, 5–11, avalon.law.yale.edu/19th_century/sp1898.asp.
- United States, Congress. Philippine Independence Act (Tydings-McDuffie Act). Government Printing Office, 1934. 73rd Congress, 2nd session, Chapter 84, 456–64, uscode.house.gov/statviewer.htm?volume=48&page=456#.
- Wesling, Meg
- Woloch, Alex
In this issue
Contemporary Literature
Vol. 64, Issue 1
1 Mar 2024
Tocaya Aesthetics: Comparing Carlos Bulosan’s America Is in the Heart and Elaine Castillo’s America Is Not the Heart
Toni N. Hays
Contemporary Literature Mar 2024, 64 (1) 52-76; DOI: 10.3368/cl.64.1.52
Jump to section
- Article
- Tocaya Aesthetics and Woloch’s Character Spaces and Systems
- Land Appropriation and Overlapping Settler Colonialisms in the Philippines (1898–1946)
- Bulosan’s Tocaya
- This Land Is (Not) Your Land
- Land Appropriation in the Philippines and Enduring US Neocolonialisms (1946–present)
- Land Appropriation as Character World and System
- Conclusion: The Worldliness of the Everyday
- Footnotes
- Works Cited
- Info & Metrics
- References
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