Rachel Cusk’s Attention Ecology

Works Cited

1. 1. Alford, Lucy

   . Forms of Poetic Attention. Columbia UP, 2020.
2. 1. Anthony, Andrew

   . “Exquisite Control.” Review of Kudos, by Rachel Cusk. The Guardian, 18 Apr. 2018, www.theguardian.com/books/2018/apr/30/kudos-rachel-cusk-review-final-part-trilogy.
3. 1. Arvidson, P. Sven

   . The Sphere of Attention: Context and Margin. Springer, 2006.
4. 1. Beller, Jonathan

   . The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle. U of Chicago P, 2006.
5. 1. Bennett, Alice

   . Contemporary Fictions of Attention: Reading and Distraction in the Twenty-First Century. Bloomsbury, 2018.
6. 1. Berardi, Franco

   “Bifo.” The Age of Impotence and the Horizon of Possibility. Verso, 2017.
7. 1. Carr, Nicholas

   . The Shallows: What the Internet Is Doing to Our Brains. W. W. Norton, 2010.
8. 1. Citton, Yves

   . The Ecology of Attention. Translated by Barnaby Norman, Polity Press, 2017.
9. 1. Crary, Jonathan

   . Suspensions of Perception: Attention, Spectacle, and Modern Culture. MIT Press, 2001.
10. 1. Crawford, Matthew

    . The World Beyond Your Head: On Becoming an Individual in an Age of Distraction. Farrar, Straus and Giroux, 2014.
11. 1. Cusk, Rachel

    . “The Art of Fiction No. 246.” Interview by Sheila Heti. Paris Review, no. 232, spring 2020, www.theparisreview.org/interviews/7535/the-art-of-fiction-no-246-rachel-cusk.
12. 1. Cusk, Rachel

    . Kudos. Picador, 2018.
13. 1. Cusk, Rachel

    . Outline. Picador, 2014.
14. 1. Cusk, Rachel

    . Transit. Picador, 2016.
15. 1. Dockterman, Eliana

    . “Rachel Cusk on Motherhood, Marriage and the Lived Truths Behind Kudos.” Time, 22 May 2018, time.com/5286687/rachel-cusk-new-book-kudos.
16. 1. Doloughan, Fiona J.

    Radical Realism, Autofictional Narratives, and the Reinvention of the Novel. Anthem Press, 2023.
17. 1. Dunch, Jonah

    . “Make-Believe Spelunking: The Influence of Fiction on Ethical Development in Outline and Gilead.” Spectrum, no. 7, 2021, pp. 1–9.
18. 1. Edwards, Magdalena

    . “Killing Fiction Meets the Medea Impasse: On Rachel Cusk’s Outline and Medea.” Los Angeles Review of Books, 25 Sept. 2015, lareviewofbooks.org/article/killing-fiction-meets-the-medea-impasse-on-rachel-cusks-outline-and-medea.
19. 1. Eilan, Naomi

    , et al. editors. Joint Attention: Communication and Other Minds. Oxford UP, 2005.
20. 1. Emre, Merve

    . “Of Note: Rachel Cusk’s Unforgiving Eye.” Harper’s Magazine, June 2018, harpers.org/archive/2018/06/of-note.
21. 1. Epstein, Andrew

    . Attention Equals Life: The Pursuit of the Everyday in Contemporary Poetry and Culture. Oxford UP, 2016.
22. 1. Eyal, Nir

    . Indistractable: How to Control Your Attention and Choose Your Life. BenBella Books, 2019.
23. 1. Ganteau, Jean-Michael

    . The Poetics and Ethics of Attention in Contemporary British Narrative. Routledge, 2023.
24. 1. Hadley, Tessa

    . Review of Transit, by Rachel Cusk. The Guardian, 16 Sept. 2016, www.theguardian.com/books/2016/sep/17/transit-by-rachel-cusk-review-outline-follow-up.
25. 1. Hazel, Alexa

    . “The Unexemplary Simone Weil.” The Point, 20 July 2021, thepointmag.com/criticism/the-unexemplary-simone-weil.
26. 1. Jackson, Maggie

    . Distracted: The Erosion of Attention and the Coming Dark Age. Prometheus Books, 2018.
27. 1. James, William

    . The Principles of Psychology. Vol. 1, Henry Holt, 1890.
28. 1. Jensen, Morton Høi

    . “‘The Only Form in All the Arts’: On Rachel Cusk’s Autobiographical Fiction.” Los Angeles Review of Books, 2 Apr. 2017, lareviewofbooks.org/article/form-arts-rachel-cusks-autobiographical-fiction.
29. 1. Koehler, Margaret

    . Poetry of Attention in the Eighteenth Century. Palgrave Macmillan, 2012.
30. 1. Larson, Jordan

    . “Rachel Cusk’s Rules for Living.” The Cut, June 2018, www.thecut.com/2018/06/review-rachel-cusks-new-novel-kudos.html.
31. 1. Love, Heather

    . “Close but Not Deep: Literary Ethics and the Descriptive Turn.” New Literary History, vol. 41, no. 2, 2010, pp. 371–91.

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32. 1. Love, Heather

    . “Close Reading and Thin Description.” Public Culture, vol. 25, no. 3, 2013, pp. 401–34.

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33. 1. Marcus, Sharon

    , et al. “Building a Better Description.” Representations, no. 135, 2016, pp. 1–21.
34. 1. Mitchell, Josie

    . “To Endure the Void: On Rachel Cusk’s Outline Trilogy.” Los Angeles Review of Books, 13 Aug. 2018, lareviewofbooks.org/article/endure-void-rachel-cusks-outline-trilogy.
35. 1. Moi, Toril

    . “I Came with a Sword,” London Review of Books, vol. 43, no. 1, July 2021, www.lrb.co.uk/the-paper/v43/n13/toril-moi/i-came-with-a-sword.
36. 1. Moshfegh, Ottessa

    . My Year of Rest and Relaxation. Penguin, 2018.
37. 1. Murdoch, Iris

    . The Sovereignty of Good. Routledge, 1970.
38. 1. Myerson, Julie

    . “Rachel Cusk’s Greek Chorus Enthrals and Appals.” Review of Outline, by Rachel Cusk. The Guardian, 6 Sept. 2014, www.theguardian.com/books/2014/sep/07/outline-review-rachel-cusk-daring-greek-chorus.
39. 1. North, Paul

    . The Problem of Distraction. Stanford UP, 2011.
40. 1. Odell, Jenny

    . How to Do Nothing: Resisting the Attention Economy. Melville House, 2019.
41. 1. Ophir, Ella

    . “Neomodernism and the Social Novel: Rachel Cusk’s Outline Trilogy,” Critique: Studies in Contemporary Fiction, vol. 64, no. 2, 2023, pp. 353–64.

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42. 1. Pashler, Harold

    . The Psychology of Attention. MIT Press, 1997.
43. 1. Phillips, Adam

    . Attention Seeking. Picador, 2022.
44. 1. Rooney, Sally

    . “Buried in Bourgeois Life.” Slate, 25 May 2018, https://slate.com/culture/2018/05/rachel-cusks-kudos-reviewed-by-sally-rooney.html.
45. 1. Schwartz, Casey

    . Attention: A Love Story. Pantheon Books, 2020.
46. 1. Simon, Herbert

    . The Sciences of the Artificial. MIT Press, 1969.
47. 1. Strong, Lynn Steger

    . “Is the Literary Trend Toward Passive Women Progress? Maybe We’ve Been Misreading.” Los Angeles Times, 13 Aug. 2020, www.latimes.com/entertainment-arts/books/story/2020-08-13/female-novelists-break-the-mold-by-making-their-women-objects.
48. 1. Tarde, Gabriel

    . “Economic Psychology.” Translated by Alberto Toscano, Economy and Society, vol. 36, no. 4, 2007, pp. 614–43.

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49. 1. Tenant-Moore, Hannah

    . “The Silent Woman.” Review of Outline, by Rachel Cusk. Bookforum, Dec.–Jan. 2015, www.bookforum.com/print/2104/a-novel-about-emotional-destruction-isn-t-interested-in-eliciting-feelings-13926.
50. 1. Thurman, Judith

    . “Rachel Cusk Gut-Renovates the Novel.” New Yorker, 31 July 2017, www.newyorker.com/magazine/2017/08/07/rachel-cusk-gut-renovates-the-novel.
51. 1. Vermeulen, Pieter

    . “Against Premature Articulation: Empathy, Gender, and Austerity in Rachel Cusk and Katie Kitamura.” Cultural Critique, vol. 111, no. 11, 2021, pp. 81–103.

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52. 1. Watson, Christie

    . “After the Aftermath: Rachel Cusk’s ‘Transit’ is a Triumph.” Review of Transit, by Rachel Cusk. Los Angeles Review of Books, 26 Jan. 2017, lareviewofbooks.org/article/after-the-aftermath-rachel-cusks-transit-is-a-triumph.
53. 1. Weil, Simone

    . Waiting for God. 1950. Harper Perennial Classics, 2009.
54. 1. Zaretsky, Robert

    . “Paying Attention.” The Subversive Simone Weil: A Life in Five Ideas. U of Chicago P, 2021, pp. 39–58.
55. 1. Zhang, Cat

    . “I Have Lost All Interest in Having a Self.” Slate, 19 Sept. 2019, slate.com/culture/2019/09/coventry-rachel-cusk-review.html.
56. 1. Zhang, Dora

    . Strange Likeness: Description and the Modernist Novel. U of Chicago P, 2020.