“But Won’t She Grow Up Confused?”

Works Cited

1. ↵
   1. Baillie, Justine

   . “Morrison and the Transnation: Toni Morrison, God Help the Child, and Zadie Smith, Swing Time.” Contemporary Women’s Writing, vol. 13, no. 3, 2021, pp. 287–306.

   OpenUrl
2. ↵
   1. Batra, Kanika

   . “Kipps, Belsey, and Jegede: Cosmopolitanism, Transnationalism, and Black Studies in Zadie Smith’s On Beauty.” Callaloo, vol. 33 no. 4, 2010, pp. 1079–92.

   OpenUrl
3. ↵
   1. Borelli, Melissa Blanco

   , editor. The Oxford Handbook of Dance and the Popular Screen. Oxford Academic, 2 Oct. 2014, doi.org/10.1093/oxfordhb/9780199897827.001.0001.
4. ↵
   1. Caruth, Cathy

   . Unclaimed Experience: Trauma, Narrative, and History. Johns Hopkins UP, 1996.
5. ↵
   1. Greenidge, Kaitlyn

   . “Shaken Out of Time: Black Bodies and Movement in Zadie Smith’s Swing Time.” Virginia Quarterly Review, vol. 93, no. 1, 2017, pp. 196–99.

   OpenUrl
6. ↵
   1. Leetsch, Jennifer

   . “London Lovers: Zadie Smith.” Love and Space in Contemporary African Diasporic Women’s Writing: Making Love, Making Worlds, pp. 75–136. Palgrave Macmillan, 2021.
7. ↵
   1. López-Ropero, Lourdes

   . “Searching for a ‘Different Kind of Freedom’: Postcoloniality and Postfeminist Subjecthood in Zadie Smith’s NW.” Atlantis, vol. 38, no. 2, 2016, pp. 123–39.

   OpenUrl
8. ↵
   1. Morrison, Toni

   . Playing in the Dark: Whiteness and the Literary Imagination. Harvard UP, 1992.
9. ↵
   1. Nathaniel, Steven

   . “Rhythmic Impersonality: The Legacy of Modernist Racialism in Zadie Smith’s Swing Time.” Critique: Studies in Contemporary Fiction, vol. 63, no. 3, 2022, pp. 284–85.

   OpenUrl
10. ↵
    1. Pilgrim, David

    . “The Golliwog Caricature.” Jim Crow Museum, 2012, jimcrowmuseum.ferris.edu/golliwog/homepage.htm.
11. ↵
    1. Pirker, Eva Ulrike

    . “Intermedial Acts of Worldmaking: Zadie Smith’s Swing Time.” Tulsa Studies in Women’s Literature, vol. 41, no. 2, 2022, pp. 270–73.

    OpenUrl
12. ↵
    1. Quabeck, Franziska

    . “‘A Kind of Shadow’: Mirror Images and Alter Egos in Zadie Smith’s Swing Time.” Zeitschrift für Anglistik und Amerikanistik, vol. 66, no. 4, 2018, pp. 461–77.

    OpenUrl
13. ↵
    1. Ramone, Jenni

    . Postcolonial Literatures in the Local Literary Marketplace. Palgrave Macmillan, 2020.
14. ↵
    1. Siccardi, Julia

    . “‘There Is Such a Shelter in Each Other’: Women Looking for Homes in Zadie Smith’s White Teeth, On Beauty and NW.” African and Black Diaspora, vol. 13, no. 2, 2020, pp. 215–26.

    OpenUrl
15. ↵
    1. Smith, Zadie

    . “The Genius of Toni Morrison’s Only Short Story.” New Yorker, 23 Jan. 2022, www.newyorker.com/books/page-turner/toni-morrison-recitatif-short-story-zadie-smith.
16. ↵
    1. Smith, Zadie

    . Swing Time. Penguin Press, 2016.
17. ↵
    1. Stahl, Neta

    . “The Female Best-Friend Novel: Narration and the Reconsideration of the Political Act.” CLCWeb: Comparative Literature and Culture, vol. 26, no. 1, 2024, doi.org/10.7771/1481-4374.4161.
18. ↵
    1. Taylor, Judith

    . “Beyond ‘Obligatory Camaraderie’: Girls’ Friendship in Zadie Smith’s NW and Jillian and Mariko Tamaki’s Skim.” Feminist Studies, vol. 42, no. 2, 2016, pp. 445–68.

    OpenUrl
19. ↵
    1. Zapata, Beatriz Pérez

    . “‘In Drag’: Performativity and Authenticity in Zadie Smith’s NW.” International Studies: Interdisciplinary Political and Cultural Journal, vol. 16, no. 1, 2014, pp. 83–95.

    OpenUrl
20. ↵
    1. Ziv, Efi

    . “Insidious Trauma.” Mafteach: Political Lexicon, vol. 5, 2012, pp. 55–63.

    OpenUrl