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An Interview with Ivan Vladislavić
Jane Poyner
and
Josh Jewell
Contemporary Literature,
June 2022,
62
(2)
141-176;
DOI: https://doi.org/10.3368/cl.62.2.141
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The Sound of All Water: Petro-Culture and Black Modernity in Jesmyn Ward’s
Sing, Unburied, Sing
Sara Stephens Loomis
Contemporary Literature,
June 2022,
62
(2)
177-206;
DOI: https://doi.org/10.3368/cl.62.2.177
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Joanna Scott and the Biofictional Art of Educating the Eyes
Michael Lackey
Contemporary Literature,
June 2022,
62
(2)
207-236;
DOI: https://doi.org/10.3368/cl.62.2.207
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Jack Spicer’s Articulatory Correspondences, or Why Should We Have to Use Our Mouths to Hear Messages?
Benjamin Kossak
Contemporary Literature,
June 2022,
62
(2)
237-261;
DOI: https://doi.org/10.3368/cl.62.2.237
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Samanta Schweblin’s
Fever Dream
: Watery Toxicity, Percolating Disquietude
Olivia Vázquez–Medina
Contemporary Literature,
March 2022,
62
(1)
1-34;
DOI: https://doi.org/10.3368/cl.62.1.1
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This Disability Which Is Not One: Autistic Intermittency in Mark Haddon’s
The Curious Incident of the Dog in the Night-Time
Joseph Valente
Contemporary Literature,
March 2022,
62
(1)
35-66;
DOI: https://doi.org/10.3368/cl.62.1.35
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Cruising the Real Estate of Empire: Chris Kraus’s Road Novels
Myka Tucker–Abramson
Contemporary Literature,
March 2022,
62
(1)
67-96;
DOI: https://doi.org/10.3368/cl.62.1.67
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“My / Eye Locked in / Self Sight”: The Self-Portrait Poems of Robert Creeley’s
Words
Alexandra J. Gold
Contemporary Literature,
March 2022,
62
(1)
97-124;
DOI: https://doi.org/10.3368/cl.62.1.97
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The Conceptual Poet as Witness
MOBERLEY LUGER
Contemporary Literature,
December 2021,
61
(4)
505-529;
DOI: https://doi.org/10.3368/cl.61.4.505
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The Overtone over Robert Ashley’s Opera Novel
Quicksand
SYDNEY BOYD
Contemporary Literature,
December 2021,
61
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460-482;
DOI: https://doi.org/10.3368/cl.61.4.460
