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Phallicism and Ambivalence in Alice Munro’s “Bardon Bus”
Elizabeth A. Shih

Contemporary Literature, March 2003, 44 (1) 73-105; DOI: https://doi.org/10.2307/1209063
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Postmodern Amnesia: Trauma and Forgetting in Tim O’Brien’s In the Lake of the Woods
Timothy Melley

Contemporary Literature, March 2003, 44 (1) 106-131; DOI: https://doi.org/10.2307/1209064
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Writing about the Inconceivable
Elaine M. Kauvar

Contemporary Literature, March 2003, 44 (1) 132-150; DOI: https://doi.org/10.2307/1209065
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History Itself? or, The Romance of Postmodernism
Brian Mchale

Contemporary Literature, March 2003, 44 (1) 151-161; DOI: https://doi.org/10.2307/1209066
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Multiplying Modernisms
Nick Lolordo

Contemporary Literature, March 2003, 44 (1) 162-171; DOI: https://doi.org/10.2307/1209067
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Astonishment and Experimentation
Juliana Spahr

Contemporary Literature, March 2003, 44 (1) 172-175; DOI: https://doi.org/10.2307/1209068
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Evanescence, Language, and Dread: Reading Don DeLillo
Thomas Carmichael

Contemporary Literature, March 2003, 44 (1) 176-180; DOI: https://doi.org/10.2307/1209069
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Spun Puns (and Anagrams): Exchange Economies, Subjectivity, and History in Harryette Mullen’s Muse & Drudge
Mitchum Huehls

Contemporary Literature, March 2003, 44 (1) 19-46; DOI: https://doi.org/10.2307/1209061
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An Interview With Drew Hayden Taylor
Birgit Däwes

Contemporary Literature, March 2003, 44 (1) 1-18; DOI: https://doi.org/10.2307/1209060

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