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Queer Objects: Gendered Interests and Distant Things in Jeanette Winterson’s Oranges Are Not the Only Fruit
JESSE BORDWIN

Contemporary Literature, June 2020, 60 (2) 227-252; DOI: https://doi.org/10.3368/cl.60.2.227
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Liberal Humanitarianism: Obscuring US Culpability in James Disco and Susan Clark’s Echoes of the Lost Boys of Sudan and Dave Eggers’s What Is the What
ALAINA KAUS

Contemporary Literature, June 2020, 60 (2) 198-226; DOI: https://doi.org/10.3368/cl.60.2.198
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An Interview with Sheila Heti
MICHAEL F. MILLER and MELISSA BAILAR

Contemporary Literature, June 2020, 60 (2) 146-173; DOI: https://doi.org/10.3368/cl.60.2.146
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When Fiction Rocks!
JESSICA E. TEAGUE

Contemporary Literature, June 2020, 60 (2) 282-288; DOI: https://doi.org/10.3368/cl.60.2.282
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The Case for the Globality of Twenty-First-Century Poetry
LOUISE MCCUNE

Contemporary Literature, June 2020, 60 (2) 300-304; DOI: https://doi.org/10.3368/cl.60.2.300
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Contributors
Contemporary Literature, June 2020, 60 (2) 311-312; DOI: https://doi.org/10.3368/cl.60.2.311
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The Documentary Photo-Poetics of C. D. Wright and Deborah Luster
CLAIRE GRANDY

Contemporary Literature, June 2020, 60 (2) 253-281; DOI: https://doi.org/10.3368/cl.60.2.253
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W. G. Sebald’s Agenda: Picturing Ethics and Translating Authenticity
CHRISTIAN HOWARD - SUKHIL

Contemporary Literature, March 2019, 60 (1) 72-97; DOI: https://doi.org/10.3368/cl.60.1.72
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“A Whitmanesque Song of the City”: Colum McCann, 9/11, and New York Space
STACEY OLSTER

Contemporary Literature, March 2019, 60 (1) 17-46; DOI: https://doi.org/10.3368/cl.60.1.17
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Deus Ex Algorithmo: Narrative Form, Computation, and the Fate of the World in David Mitchell’s Ghostwritten and Richard Powers’s The Overstory
MARCO CARACCIOLO

Contemporary Literature, March 2019, 60 (1) 47-71; DOI: https://doi.org/10.3368/cl.60.1.47

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