[PDF][PDF] Holocaust as the Visual Subject: The Problematics of Memory Making through Visual Culture.
Y Ibrahim - Nebula, 2009 - academia.edu
The visual construction or re-construction of traumatic events whether through art,
photography or celluloid representations is an intrinsic aspect of human propensity to …
photography or celluloid representations is an intrinsic aspect of human propensity to …
《 一切皆被照亮》 中的 “后记忆” 与犹太性
曾桂娥 - 湖南科技大学学报: 社会科学版, 2015 - cqvip.com
美国新生代犹太作家乔纳森· 萨福兰· 福厄的小说《 一切皆被照亮》 以一位美国犹太青年作家前往
乌克兰寻根的经历为线索, 借助魔幻现实主义重构个体层面的家族史和社会层面的犹太集体记忆 …
乌克兰寻根的经历为线索, 借助魔幻现实主义重构个体层面的家族史和社会层面的犹太集体记忆 …
The Writing of Light: Photography's Apparatus and the Unrepresentable
D Miller - 2012 - ecuad.arcabc.ca
This thesis situates aspects of my recent practice by examining photography's apparatus in
relation to the idea of the unrepresentable. In art, awakening the present to the past or …
relation to the idea of the unrepresentable. In art, awakening the present to the past or …
The Political Repercussions of Homosexual Repression of Masculinity and Identity in Martin Sherman's Bent
MC Lupo - 2010 - engagedscholarship.csuohio.edu
There are very few works of gay holocaust literature, mostly due to the fact that even post
Nazi-Germany, homosexuality was outlawed. Bent, thereby serves as a testament of the …
Nazi-Germany, homosexuality was outlawed. Bent, thereby serves as a testament of the …