The Intricacies of an Intimate Public Sphere

BR Weber - Contemporary Literature, 2009 - cl.uwpress.org
American Culture. Durham, NC: Duke University Press, 2008. 368 pp. $84.95; $23.95 paper.
ver the course of her distinguished career, Lauren Berlant, the George M. Pullman Professor …

Our Phillis, Ourselves

J Brooks - American Literature, 2010 - read.dukeupress.edu
This essay challenges the image, popularized by Henry Louis Gates Jr., of eighteenth-
century African American poet Phillis Wheatley “on trial” before a jury of eighteen white male …

Inside the Sentimental: The Psychological Work of The Wide Wide World

N Schnog - Genders, 1989 - utexaspressjournals.org
By NANCY SCHNOG• n the past few years Susan Warner's sentimental novel The Wide
Wide World, one of nineteenth-century America's most popular novels and the nation's first …

Intertextuality and “Woman's Manifest Destiny”

JS Tuttle - Charlotte Perkins Gilman and Her Contemporaries …, 2004 - books.google.com
The American Western has long been considered a genre inhospitable to women. Its
valorizations of masculine individuality, male homosociality, violent physical struggle, and …

[BOOK][B] Sudden hues of red and green: the new utopian impulse in the female literary tradition

LE Kreiner - 2001 - search.proquest.com
Abstract In 1979, Sandra M. Gilbert and Susan Gubar published their seminal study of the
nineteenth century female literary tradition, The Madwoman in the Attic, in which they argued …

[BOOK][B] Reading Sideways: The Queer Politics of Art in Modern American Fiction

D Seitler - 2019 - books.google.com
Reading Sideways explores the pivotal role that various art forms played in American literary
fiction in direct relation to the politics of gender and sexuality in works of modern American …

" The World was Home for Me": Charlotte Perkins Gilman and the Sentimental Public Sphere

CJ Davis - Arizona Quarterly: A Journal of American Literature …, 2010 - muse.jhu.edu
To illustrate her claim that women ought to perform what she called “that social service
which is our first duty as human beings,” Charlotte Perkins Gilman concluded that her …

[CITATION][C] Queer Haunting Spaces: Madeline Yale Wynne's “The Little Room” and Elia Wilkinson Peattie's “The House That Was Not”

JA Weinstock - American Literature, 2007 - read.dukeupress.edu
502 American Literature fruitfully be analyzed in terms of the production and, at least in
some cases, deconstruction of unstable gendered spaces. 1 Avery Gordon describes …

On taking the affective turn: interview with Lauren Berlant, Ann Cvetkovich, and Deborah Gould

L Berlant, A Cvetkovich, D Gould, M Boler… - Cultural Studies, 2022 - Taylor & Francis
Megan: Elizabeth and I have been working for four years together on questions of emotion,
affect, media, and politics. Since 2016, emotion has come to have a new currency in political …

Who is Jane?: The Intricate Feminism of Charlotte Perkins Gilman

W Veeder - Arizona Quarterly: A Journal of American Literature …, 1988 - muse.jhu.edu
Charles Walter Stetson ear the end of" The Yellow Wallpaper," the heroine says
suddenly:"'I've got out at last... in spite of you and Jane'"(19). Who is Jane? No character in …